{"id":1095,"date":"2025-03-14T23:23:45","date_gmt":"2025-03-15T02:23:45","guid":{"rendered":"https:\/\/babelpsi.com\/resonantia\/?p=1095"},"modified":"2025-03-14T23:23:46","modified_gmt":"2025-03-15T02:23:46","slug":"tinta-y-anclas-sobre-la-copresencia-de-lenguajes-e-imaginarios-en-la-creacion-literaria-caribena","status":"publish","type":"post","link":"https:\/\/babelpsi.com\/resonantia\/tinta-y-anclas-sobre-la-copresencia-de-lenguajes-e-imaginarios-en-la-creacion-literaria-caribena\/","title":{"rendered":"Tinta y anclas. Sobre la copresencia de lenguajes e imaginarios en la creaci\u00f3n literaria caribe\u00f1a"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1095\" class=\"elementor elementor-1095\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-733d410 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"733d410\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-e1193fb\" data-id=\"e1193fb\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4806292 elementor-widget elementor-widget-image\" data-id=\"4806292\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"768\" height=\"439\" src=\"https:\/\/babelpsi.com\/resonantia\/wp-content\/uploads\/2025\/03\/DALL\u00b7E-2025-03-13-21.01.48-A-realistic-and-elegant-illustration-of-an-open-book-floating-above-the-ocean-with-black-ink-elegantly-spilling-from-its-pages-and-transforming-into--768x439.webp\" class=\"attachment-medium_large size-medium_large wp-image-1097\" alt=\"\" srcset=\"https:\/\/babelpsi.com\/resonantia\/wp-content\/uploads\/2025\/03\/DALL\u00b7E-2025-03-13-21.01.48-A-realistic-and-elegant-illustration-of-an-open-book-floating-above-the-ocean-with-black-ink-elegantly-spilling-from-its-pages-and-transforming-into--768x439.webp 768w, https:\/\/babelpsi.com\/resonantia\/wp-content\/uploads\/2025\/03\/DALL\u00b7E-2025-03-13-21.01.48-A-realistic-and-elegant-illustration-of-an-open-book-floating-above-the-ocean-with-black-ink-elegantly-spilling-from-its-pages-and-transforming-into--300x171.webp 300w, https:\/\/babelpsi.com\/resonantia\/wp-content\/uploads\/2025\/03\/DALL\u00b7E-2025-03-13-21.01.48-A-realistic-and-elegant-illustration-of-an-open-book-floating-above-the-ocean-with-black-ink-elegantly-spilling-from-its-pages-and-transforming-into--1024x585.webp 1024w, https:\/\/babelpsi.com\/resonantia\/wp-content\/uploads\/2025\/03\/DALL\u00b7E-2025-03-13-21.01.48-A-realistic-and-elegant-illustration-of-an-open-book-floating-above-the-ocean-with-black-ink-elegantly-spilling-from-its-pages-and-transforming-into--1536x878.webp 1536w, https:\/\/babelpsi.com\/resonantia\/wp-content\/uploads\/2025\/03\/DALL\u00b7E-2025-03-13-21.01.48-A-realistic-and-elegant-illustration-of-an-open-book-floating-above-the-ocean-with-black-ink-elegantly-spilling-from-its-pages-and-transforming-into-.webp 1792w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-e7b1b73 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"e7b1b73\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-369938d\" data-id=\"369938d\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-df78f2c elementor-widget elementor-widget-heading\" data-id=\"df78f2c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Tinta y anclas<br>\n Sobre la copresencia de lenguajes e imaginarios en la creaci\u00f3n literaria caribe\u00f1a 1<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-130eb51 elementor-widget elementor-widget-text-editor\" data-id=\"130eb51\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>Catherine Ollier-Taillandier 2<\/strong><\/p><p><strong>Traducci\u00f3n al espa\u00f1ol: Mar\u00eda-Marta Escalante Real<\/strong><\/p><p>\u00a0<\/p><p><em>1 Resumen traducido del art\u00edculo escrito por Catherine Ollier-Taillandier, titulado D\u2019encre et d\u2019ancrages. De la co-pr\u00e9sence des langues et des imaginaires dans la cr\u00e9ation litt\u00e9raire carib\u00e9enne.Publicado en Resonantia, BabelPsy 2023.\u00a0<\/em><\/p><p>\u00a0<\/p><p><em>2 Catherine Ollier-Taillandier (PhD) es doctora en Literatura, Lenguas y Civilizaciones por la Universidad de Toulouse (Francia) (especialidad Civilizaci\u00f3n americana: memoria e identidad). Presidenta fundadora de la Association Francophonie, Action et M\u00e9diation (FAM) y del CALAF (Cercle des amis de la Langue Fran\u00e7aise Argentine-Uruguay).<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-98550f9 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"98550f9\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-f81604e\" data-id=\"f81604e\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-148191c elementor-widget elementor-widget-text-editor\" data-id=\"148191c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>Resumen &#8211; Abstract:<\/strong><\/p><p>Durante mucho tiempo, la literatura \u00ab francesa\u00a0\u00bb tuvo que responder a las normas sint\u00e1cticas y lexicales de la Francia hexagonal, y los escritores de \u00ab\u00a0ultra\u2013mar\u00a0\u00bb y las antiguas colonias, que hab\u00edan elegido la lengua francesa como lengua de escritura, se adaptaron a ella para poder ser publicados, encerrando as\u00ed sus imaginarios, referencias hist\u00f3ricas y simb\u00f3licas en un yugo. Por suerte, precursores tales como Senghor, C\u00e9saire, Saint-John Perse o Roumain, por citar algunos, se desplazaron de este encierro y se apropiaron de la lengua francesa para crear una lengua-lenguaje que exprese sus dolores, sus esperanzas, su pertenencia a un espacio-tiempo en devenir. Actualmente nos proponen una producci\u00f3n abierta al mundo. <br \/>Veremos c\u00f3mo esta escritura naci\u00f3 de una necesidad de crear para \u00ab\u00a0seguir la pista\u00a0\u00bb de las huellas de la memoria de sus ancestros, necesariamente diluida pero sin embargo enriquecida, a lo largo de los siglos, por sus experiencias de sufrimiento, dominaci\u00f3n, lucha y liberaci\u00f3n.<br \/>La creaci\u00f3n literaria, y en general, la art\u00edstica, al no poder apoyarse en una transmisi\u00f3n lineal, de generaci\u00f3n en generaci\u00f3n, debe jugar con temporalidades contrarias y complementarias, y espacios que oscilan entre aqu\u00ed y en otra parte.<br \/>Los escritores de los espacios archipel\u00e1gicos, surgidos de los tiempos de la esclavitud y del colonialismo, nos proponen en sus obras un \u00ab\u00a0viaje simb\u00f3lico tras las huellas de un \u2018pasado-presente\u2019\u00a0\u00bb, que desarrolla a voluntad los temas ligados a ese recorrido (mar, vud\u00fa, cuento, etc.).<br \/>Es en ese paso de la oralidad de los ancestros a la escritura \u00ab\u00a0salvajizada\u00a0\u00bb que emerge un lenguaje poderoso que deja espacios para que las voces de la oralidad resuenen en la escritura gracias a una estil\u00edstica revisitada y a la imbricaci\u00f3n de la lengua cr\u00e9ole en sus escritos en franc\u00e9s. Este uso de las dos lenguas de expresi\u00f3n permite reanudar el v\u00ednculo con el mundo ancestral y reinventarse un espacio-tiempo que les es propio. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-25904e7 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"25904e7\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-752e3c8\" data-id=\"752e3c8\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-9fc2b4c elementor-widget elementor-widget-heading\" data-id=\"9fc2b4c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h3 class=\"elementor-heading-title elementor-size-default\">Palabras clave: Escritura; francofon\u00eda; memoria; huellas; archipi\u00e9lago; ancestros; oralidad; transmisi\u00f3n; diversidad cultural.<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Tinta y anclas Sobre la copresencia de lenguajes e imaginarios en la creaci\u00f3n literaria caribe\u00f1a 1 Catherine Ollier-Taillandier 2 Traducci\u00f3n al espa\u00f1ol: Mar\u00eda-Marta Escalante Real \u00a0 1 Resumen traducido del art\u00edculo escrito por Catherine Ollier-Taillandier, titulado D\u2019encre et d\u2019ancrages. De la co-pr\u00e9sence des langues et des imaginaires dans la cr\u00e9ation litt\u00e9raire carib\u00e9enne.Publicado en Resonantia, BabelPsy [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[23],"tags":[130,129,97,125,128,127,144,131,132],"class_list":["post-1095","post","type-post","status-publish","format-standard","hentry","category-diversidad-cultural","tag-ancestros","tag-archipielago","tag-diversidad-cultural","tag-escritura","tag-huellas","tag-memoria","tag-ollier-taillandier","tag-oralidad","tag-transmision"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Tinta y anclas. 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